David is an actor best known for his starring role as Sol Grootboom on the SABC 1 television drama series Soul City (1997-2010) and Soul Buddyz, from 2000-2003. He also played the recurring character of Sew Sew Tukarrs in 10 episodes of the science fiction series Charlie Jade in 2005.

Other television series he has appeared in include Sterk Skemer, Rhodes, Colossus of Africa (for BBC One), Behind the Badge, Isidingo, Justice For All (seasons 1 and 3), It Rained Last Night and Thetha Msawawa. He was also a guest on 7de Laan in 2009, played Dr Balthazar in Rhythm City in 2010 and guest starred on 90 Plein Street in 2011.

His feature film credits include Red Dust (2004), Coup! directed by Simon-Cellan Jones, King Kong in 2005,  10,000 B.C. directed by Roland Emmerich (2008), and notably his role of Mr. Isaacs in Disgrace, in which he played opposite John Malkovich. In 2009, David received a SAFTA Award for Best Actor in a Supporting Role in a Feature Film in 2009, for his portrayal of Jacob in the film The World Unseen, based on the novel by Shamim Sarif.

Awards in theatre and musical theatre include five prestigious Fleur du Cap Theatre Awards, four for Shakespearean roles in Twelfth Night, The Taming of the Shrew, The Merry Wives of Windsor and Two Gentlemen of Verona.  He has also received two Vita Awards - one for his role as Frank in Frank ‘n Stein, and the other for his role in The Rocky Horror Picture Show.  Other awards include a Dalro Award for Riff Raff as well as awards for his performances in The Ride Across Lake Constance, Loot and the musical adaptation of Far from the Madding Crowd.

In 2010, David appeared in the National Arts Festival co-production of Richard III, which also played at the Artscape and Market Theatres in 2011.  This was followed by the sell-out season of the Theatre On The Square production of The Pirates Of Penzance, which earned David the Naledi Award for Best Comedy performance and for Most Cutting Edge production.  He also starred in the world premiere of Ariel Dorman’s Delirium at the Market Theatre in 2012.

Dr Temara Prem is an academic and filmmaker based in Durban, South Africa, specialising in postcolonial film theory and filmmaking. She holds a PhD in Film and Television from the University of the Witwatersrand, Johannesburg. Her doctoral research examines identity representation in post-apartheid South African cinema, contributing to global discussions on cultural specificity and representation in film. She also earned an MFA in Film and Television from AFDA Cape Town, where her thesis explored Baroque aesthetics and their influence on post-war expressionist cinema. This combination of theoretical and technical expertise informs her teaching and creative work.

Dr Prem also has extensive experience in the film and media industries, having worked on productions in the capacities of cinematographer and director, including directing projects for BET Africa and SABC 1. In addition to her academic and professional roles, Dr Prem is committed to promoting diversity and inclusion within the film industry and educational institutions. She serves on the Standing Committee on Ethics, Diversity, and Inclusion (SCEDI) for CILECT (The International Association of Film and Television Schools). She is also a member of SWIFT (Sisters Working in Film and Television).

Mark has worked in various capacities in the South African film industry since the nineteen-eighties. As a production designer, he has worked on domestic productions for SABC and MWEB, as well as for foreign television productions BBC, Channel4, and Canal+.  He has also been involved in the production design of  numerous local and international feature films such as Krakatoa, Red Dust, and Mandela’s Gun. He has twice received the MNET-VITA Award for production design.

As a director, two of his early drama films Astor Mansions and Half-an-Hour were award-winners on the Weekly Mail Film Festival. His relocation to the Karoo in the mid-nineties prompted his pursuit of documentary film as a medium for social and environmental change.

Amidst these occupations, Mark has also practiced consistently as a conceptual artist. He has a personal research interest in the expanding potential for hybrid forms of storytelling that embrace multiple media platforms. Solo and collaborative projects emerging from this practice have been exhibited locally and abroad.

Mark spearheads the vision of the AFDA campus in Gqeberha – that of establishing itself as the cornerstone of a burgeoning industry in the Eastern Cape.

Leopold Senekal is an accomplished academic leader, educator, and creative practitioner with a distinguished career spanning over a decade in higher education and the performing arts. Currently serving as the Dean of AFDA Cape Town, Leopold is dedicated to fostering an environment of excellence, innovation, and collaboration that equips students with the skills and adaptability required for success in a rapidly evolving creative economy.

With an academic background deeply rooted in production design, production management, and performance, Leopold has held numerous pivotal roles, including Art Director, Director, Resident Production Designer, and Program Coordinator for institutions and companies both local and abroad. His expertise encompasses interdisciplinary teaching, curriculum development, and cultivating industry-relevant collaborations between film, music, live performance, and technical arts students. Under his guidance, AFDA has consistently championed forward-thinking educational practices that align with global creative industry trends.

Leopold’s tenure as Dean is marked by his commitment to ensuring that AFDA remains a leader in creative education in South Africa. His vision emphasizes the integration of emerging technologies such as Artificial Intelligence into the curriculum, positioning AFDA as a forward-thinking institution capable of producing graduates who not only meet industry demands but actively shape its future. His leadership style combines a deep respect for academic rigor with an unwavering focus on student and staff well-being, fostering a vibrant and supportive campus culture.

Leopold has been instrumental in launching interdisciplinary assessments, establishing practical technical assessments, and designing innovative learning materials tailored for online and hybrid teaching environments. Beyond his administrative accomplishments, Leopold has contributed significantly to the artistic community through his work in theatre, television, film, and education, nurturing the next generation of performers, creators, and thought leaders.

His vision for the future reflects an educational ethos that is both ambitious and inclusive:

“We are not just preparing students for the future; we are empowering them to shape it. At AFDA, our mission is to create leaders in the creative economy—thinkers, doers, and dreamers who are unafraid to disrupt the status quo.”

“Our responsibility as educators extends beyond teaching skills—it lies in igniting a passion for lifelong learning and innovation. At AFDA, we are setting the stage for a future where creativity is informed by technology, collaboration, and a fearless pursuit of excellence.”